✴︎˚。⋆Ljuba Glitzern⋆。˚✴︎  is an art director 
and a photographer telling visual stories through 
a female, queer, and cross-cultural lens.





A Talk with a Star Girl: 
Instagram-based editorial series






Blending art-directed documentary photography with intimate interviews, the work celebrates female artists of different disciplines.
Through candid portraits and reflective answers, the project explores similarities and uniquenesses in their practices, inspirations, dreams,
and struggles as female creatives in a modern society.





“The first thing I noticed is that the electronic scene in Vietnam feels much more diverse, welcoming, and open — people are genuinely eager to connect and network. It’s quite different from many European scenes I know, which often feel a bit hermetic and hard to break into from the outside.

That said, it doesn’t mean it’s an easy scene either; to play in good clubs, you still need to earn respect and credibility — to find your way in.”






“The twerk scene in Korea is definitely growing! More and more people are getting into dance, but using hip movements is still pretty 
new here. Choreography used to include just a bit of that, but now I see a lot of dancers exploring and blending different styles. I think it’s just the beginning—there’s so much potential for it to blow up.”














“I don’t remember when I started making art, but I like to think I haven’t started yet.”













“I’ve always drawn, ever since I can remember — it just felt natural. However, it was really in the past three years that I started taking my creative practice more seriously. My art journey truly started to take shape when I began initiating projects, both small and big.”












“Art has always been a way of supporting myself through hard times — a place to escape, to fight, and to process what I was going through. Over time, I created a whole new persona and began to see it as part of my practice.  Makeup, costumes, and photography are tools that allow me to reveal parts of myself that are usually hidden or suppressed in everyday life.”













“Studying decoloniality has led me to examine how my own work engages with narrative—especially visual and cultural—as both a site of epistemic control and a tool for liberation.”




Read Full Interviews: Episode (1), Episode (2),  Episode (3), Episode (4)







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